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Thứ Hai, 5 tháng 10, 2015

This Photo Of Johnathan Thurston Celebrating With His Daughter Is Too Damn Cute

Cutest grand final ever.

Johnathan Thurston has done a lot in his career: representing Australia 32 times, winning multiple State of Origin series, four Dally M medals and two Golden Boot awards for the best player in the world. But this photo may be the best thing he's done.

Johnathan Thurston has done a lot in his career: representing Australia 32 times, winning multiple State of Origin series, four Dally M medals and two Golden Boot awards for the best player in the world. But this photo may be the best thing he's done.

Dean Lewins / AAPIMAGE

It was quite a night for the Cowboys co-captain on Sunday as he attempted to lead his team to its first ever NRL Premiership. For one of the game's greatest ever players, a victory would have sealed his status as one of the game's immortals.

It was quite a night for the Cowboys co-captain on Sunday as he attempted to lead his team to its first ever NRL Premiership. For one of the game's greatest ever players, a victory would have sealed his status as one of the game's immortals.

Mark Kolbe / Getty Images

So by the end of the match, with the scores level at 16 - 16, it was up to Thurston to kick the winning goal. He missed.

So by the end of the match, with the scores level at 16 - 16, it was up to Thurston to kick the winning goal. He missed.

Cameron Spencer / Getty Images

So for the first time ever the grand final went into Golden Point extra time. And again, it was up to Thurston to kick a field goal to seal victory. He didn't miss this time and people were pretty excited.

So for the first time ever the grand final went into Golden Point extra time. And again, it was up to Thurston to kick a field goal to seal victory. He didn't miss this time and people were pretty excited.

Cameron Spencer / Getty Images


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These Professional Fitness Instructors Tried Boxing For The First Time

Everything changes when you put the gloves on.

BuzzFeed Video / Via youtu.be


Why You Should See "The Walk" In Theaters Or Not See It At All

Joseph Gordon-Levitt in The Walk.

Sony Pictures / CTMG

It's a joy to see a movie in the theater. It's an irreplaceable pleasure to lose yourself there in the dark, to surrender your attention to something completely, to become part of a fleeting community made up of you and everyone else in that room for the span of 100 minutes or so, united in what you're viewing together. Seeing something projected on a big screen is great...but we watch films on screens of all sizes these days, from mammoth HDTVs to (gulp) iPhones, and honestly, plenty of them aren't any worse when they're scaled down.

Not The Walk, though.

The new movie directed by Robert Zemeckis (of the Back to the Future trilogy, Forrest Gump, and more recently Flight) and starring Joseph Gordon-Levitt as tightrope walker Philippe Petit is a kamikaze testament to the theatrical experience. There is no point to seeing it at home. Its best stretch, when Petit finally steps out onto the wire he and his friends have illicitly strung between the two towers of the World Trade Center, uses 3D and the field of vision–filling expanse of a theater (or an IMAX) screen in a way you actually feel in your viscera.

It literally has the power to make the vertigo-prone vomit, which is incontestable and endearingly gross proof of just how effective its recreation of dizzying heights is. It's a sequence that feels innovative and new in its filmmaking and its use of a technology that's otherwise mostly been thrown in to beef up ticket prices. It's a viewing experience that, even with one of those 3D TVs that are failing to catch on, you couldn't re-create at home.

The Walk.

Sony

And as if for maximum contrast, the parts of The Walk that precede the actual walk in question are numbingly flat. Petit, whose 1974 WTC stunt was previously chronicled in the Oscar-winning documentary Man on Wire, is such a self-styled character — a big, boisterous personality — that turning him into an actual movie character stymies Zemeckis and his co-writer Christopher Browne. Petit's a man who committed this one glorious, dangerous, ridiculous feat, this sublime stunt, and in committing itself to a biopic format that places Philippe in the torch of the Statue of Liberty to narrate and starts back at his childhood in France, The Walk just emphasizes how unnecessary backstory is here.

No one would ever ask for more Philippe. He's a pixie with a Pepe Le Pew accent who likes to ride around on a unicycle while wearing a top hat and who speaks in pronouncements like, "People ask me, 'Why do you risk death?' For me, this is life." Philippe even insists on having a conversation with fellow busker and eventual girlfriend Annie (Charlotte Le Bon) in mime. As a role, he highlights Gordon-Levitt's most unfortunately theatrical tendencies, his tendencies to strain to charm and entertain.

Philippe's forceful whimsy can't be separated from his petty tyranny in commanding his "accomplices" (played by Clément Sibony, James Badge Dale, and Ben Schwartz, among others) to help him fulfill his dream of breaking into the Twin Towers before construction is finalized. He is, like a lot of ambitious artists, a narcissist who manages to convince others that his vision is also their vision, though it's of course just him out there risking his life on the wire for the spotlight.

Man on Wire showed us that after Petit achieved his walk, and after he was released by the police, he went home not to the girlfriend who'd been with him all the way but with a random woman who wanted to express her appreciation for his stunt by having sex with him. In the doc, it felt like a tiny fall from grace, the shift from this collaborative, selfless act of daring to one of unapologetic vainglory. It's not a development that The Walk, with its cuddlier Philippe, includes, but it still struggles to reconcile the fanciful purity of what the man wants to do with the calculated showmanship and the exacting demands on others that the act entailed — and with, for instance, the moment Philippe seems ready to assault a stranger who might interfere with what he's about to do.

The Walk.

Sony

It's not that everything that happens in The Walk after Philippe finally gets to the rooftop makes up for everything that comes before, but it does render it unnecessary. There on the roof, as Philippe and his friends finish up their performance-prep-as-heist, Zemeckis, a director always interested in what advancing technology means for filmmaking, gets to indulge in visuals that push 3D to some sweaty-palmed limits. If Gravity used 3D to emphasize the vertiginous centerlessness of orbit, The Walk uses it to emphasize distance as well as the fact that there is some very solid ground below. When the camera moves over Philippe and shows us the ground yawning beneath his feet, the sense of space it creates is astounding, and the film teases out the details of Philippe's walk, finding 100-stories-up suspense in everything from a misplaced stabilizing bracket to a menacing seagull.

Computer-generated imagery threatens to render us blasé to the most elaborate of set pieces by making everything possible, but The Walk turns what is a relatively straightforward act — albeit a scarily placed one — into something stunning by restoring a sense of physicality to what's happening onscreen. Gordon-Levitt wasn't really high above the earth, but the movie puts us up there with majestic believability. Even a heavy-handed final nod to 9/11, after an entire film already serving as an ode to the Twin Towers, can't ruin the high of Philippe's walk. He may be precariously perched on his wire, but in those moments, he looks like the one with the world on a string.


26 Things That Inevitably Happen When You Start Lifting Weights

Welcome to Swole City. Population: You.

At first, your body doesn't know WTF is going on and it hates you a lot.

At first, your body doesn't know WTF is going on and it hates you a lot.

quickmeme.com

But then those post-lifting endorphins kick in and they put you in the best mood ever.

But then those post-lifting endorphins kick in and they put you in the best mood ever.

"How's everyone doing? GREAT? What a beautiful day, am I right? I mean could life be better?"

FOX / Via heckyeahreactiongifs.tumblr.com

Your palms have never looked gnarlier.

It’s like the barbell gave you a few hickeys.

instagram.com

And your conversation starters have gotten a little more niche.

And your conversation starters have gotten a little more niche.

Wait, were we not talking about gains?

memegenerator.net


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Can The Men In Blazers Help Finally Make Soccer The Sport Of America's Future?

It’s a late July afternoon and two bald British men in a BMW Mini are having cheesesteak problems. They're on their way to Landover, Maryland, to watch a meaningless scrimmage between the soccer powerhouses Chelsea and Barcelona by way of Philadelphia, and the men in question are Roger Bennett and Michael Davies — the NBC Sports soccer pundits known as the Men in Blazers.

As they motor down I-95, the duo are trying to cope with an unfamiliar issue: a deep and scornful social media backlash. As part of a photo op for their sponsor, Mini, Rog and Davo — as they’re known to hundreds of thousands on their popular podcast — are making the pilgrimage to taste-test cheesesteaks at Pat's and Geno's, two beloved temples to heart disease. The event is supposed to be a throwaway — a fish-out-of-water Americana stunt for the expats — but things derail when they mention the pit stop on Twitter and Instagram.

Charlie Warzel / BuzzFeed News

“We’ve never upset more people in a year of doing television than we have with these few tweets,” Bennett says, mock-but-maybe-actually astonished, scrolling through the replies on his phone. “Apparently, Pat’s and Geno’s are both crap tourist traps and we’re crap too for going,” he laughs.

Davies shrugs it off, noting that the pair had originally planned to take the Mini to Gettysburg for a patriotic photo op before thinking better of using a sacred battlefield as a sponsorship venue. (“Too soon,” Bennett deadpans.) But Bennett, dressed not unlike a lawyer at the end of a long day — navy tie askew, over a lightly wrinkling blue oxford shirt tucked into navy slacks — is still thumbing through the replies with a shit-eating grin.

“You don’t think we’re going to get beat up in Philly for wearing ties, do you, Davo?” he asks cheekily, followed by a short awkward silence, which Bennett breaks himself. "Philadelphia fucking Pennsylvania,” he says before pausing, breathing in deeply, closing his eyes, and uttering in his Liverpool accent with rapturous satisfaction and hushed reverence one of his trademark phrases: “I love America.”

If there’s one thing the Men in Blazers are selling, it’s this spirit of adopted patriotism. The official Men in Blazers credo is “Driven by the belief that Soccer is America’s Sport of the Future. As it has been since 1972." It’s under this banner that Bennett and Davies have built an intensely loyal following since 2010, converting a one-off World Cup podcast into a iTunes chart-topping podcast (between 250,000 and 350,000 listeners weekly), a satellite radio show, regular TV appearances, and, finally, their own 30-minute NBC Sports television show. Now they’re on the verge of spearheading one of the most aggressive, concentrated gatherings of the sport’s personalities ever assembled on our shores in order to bring global soccer to a growing cadre of ravenous American fans.

Their style is hyper-combustible: shades of early SportsCenter mixed in with an indefatigable Bill Simmons-esque obsessive fandom/devotion to pop culture references. The television show is frantically paced and proudly low-budget; many of the “graphics” are hand-drawn-with-markers signs. Their tchotchke-adorned studio is affectionately nicknamed "the panic room" and is the size of a New York City apartment closet. The weekly podcast is longer (episodes can exceed 90 minutes) and slower-paced, and moves seamlessly between detailed discussions of tactical soccer formations and anecdotes about tingling nipples.

Bennett and Davies aren’t the first soccer commentators to evangelize and parse the global game in America. But they’re the first to distill the game, harnessing the whimsy of the internet and pop culture and without any of the pretension that comes from introducing a sport with a rich history to a new audience. There’s an inclusiveness to the duo’s conversations — mostly through a flurry of oft-repeated jokes and tropes — and a presentation that appeals to fans both young (silliness) and old (’80s pop culture references and lamentations of balding) and is, in a way, almost soothing for newcomers to the sport. Put simply: It’s hard to feel embarrassed as a new soccer fan with Bennett and Davies as your guides. Both men are overly self-effacing; they describe their style as "suboptimal" and regularly apologize for simply being on the air. The pair’s Twitter account describes the Men in Blazers as “kind of like Car Talk without the cars."

Ten years ago, Bennett and Davies — who first met at a wedding of a mutual friend on the day of the 2006 World Cup Final, bonding over missing the thrilling penalty kick finale — would have been the most unlikely of American sports luminaries. They’re both bald, fortysomething white men with noticeable accents discussing the minutiae of soccer matches taking place in small British cities that few Americans can even pronounce, like Leicester (pop. 330,000), Swansea (pop. 239,000), and Bournemouth (pop. 465,000). Ten years ago, the Men in Blazers might have had a hard time securing a steady gig on a local public access channel.

Then again, that’s kind of the point. Starting in 1905 — when Teddy Roosevelt suggested soccer as a healthy alternative to the skull-crushing, frequently death-inducing American football — soccer’s star in America has supposedly been on the rise. Since the United States hosted the World Cup in 1994, expats have watched in the States as the sport’s tide rises every four years. Bars fill, major networks devote airtime, flags wave. But for years soccer support has been a tentative, self-doubting, un-American style of fandom; it was excitement for the spectacle and the sport, without any deep understanding of the culture. At the end of the month, soccer’s small, dedicated quorum would watch as Americans retreated to back to baseball and the upcoming football season. Soccer’s tide would recede, albeit slightly less each four years, only to pick back up again in early July with a rash of blog and news articles asking: Is Soccer the Sport of the Future Forever?

Michael Davies

Jared Harrell / BuzzFeed News

Yet sometime between 2010 and 2014 the sport took off in earnest. The U.S. men’s and women’s national teams exceeded expectations in their respective World Cup campaigns, playing riveting nationally broadcast matches. Fan groups like the American Outlaws began to follow the U.S. national teams, co-opting chants, traditions, and the rowdy soccer atmosphere from Europe and bringing them to American tailgates. In 2012, NBC Sports bought the English Premier League TV rights, promising to broadcast all games live. Once-in-a-generation talents like Lionel Messi and Cristiano Ronaldo played the sport at such a high level that young sports fans in the U.S. couldn’t help but take notice. EA Sports’ FIFA soccer video games quietly became required playing in every college dorm in the country. Major League Soccer upped the frequency with which it courted America’s best players and Europe’s oldest legends.

This sort of fan behavior is naturally attracting brands, which are pointing toward soccer’s burgeoning and coveted 18- to 34-year-old, affluent, upwardly mobile demographic. John Guppy, former president and CEO of MLS's Chicago Fire and head of Gilt Edge soccer marketing, says the swing began in earnest in 2012. “It was a turning point in terms of the types of conversations we'd have with people from corporate America. It used to be that targeting the Hispanic market was the reason why they'd care. 2012 was when that word switched to millennial, which for so many executives was key. And then you see that 6 out of 10 soccer-loving millennials are nonwhite.” By the end of the 2014 World Cup, the sport of the future was looking an awful lot like the sport of the present.

And the Men in Blazers were poised to capitalize on it. Bennett and Davies see Men in Blazers as both a happy accident brought on by of the confluence these forces as well the product of the hard work of yelling enthusiastically into the void until somebody took notice. It’s true that Men in Blazers, in its current iteration, couldn’t have thrived or even existed 10 years ago, but now that it is, they’ve stepped into a new role: They’re not just ambassadors for the game, but translators. For the tens of thousands of their fans — affectionately referred to as GFOPs, or Great Friends of the Pod — the duo is responsible for making sense of the meta-narratives, quirks, and micro-moments that make the European game interesting. They specialize in elucidating the sort of things that American fans would assuredly miss, or fail to fully understand, by providing significant context.

"We're two bald men on a surfboard trying with moderate success to tow in football.”

“They’re gatekeepers,” Ron Wechsler, NBC Sports SVP of original programming, said of the pair. “They don't make it intimidating for Americans to participate in something that used to reside outside their cultural sensibility. Probably the most interesting, critical threshold is: Can people who can’t approach the sport from a shared geographic point of view feel attached the way they can with a local sport? They take the silly and the ridiculous and they combine it with sturdy analysis and they help with that.”

Though Bennett and Davies are loathe to call themselves gatekeepers — “At best we're a tugboat or two bald men on a surfboard trying with moderate success to tow in football,” Bennett says — their actions suggest something different. This November, the two are hosting BlazerCon, a soccer fan convention. Halfway between New York and Philadelphia, Bennett described the conference while on the phone trying to recruit a FOX broadcaster to join a BlazerCon panel: “We're doing a rather odd and curious project this November. It's called BlazerCon — like Comic-Con but way nerdier and for global football. We're going to get together a couple thousand of America's fast-growing superfan collection, and we got a cast of characters. It'll be a bit of a global football orgy.”

It’ll be a well-attended orgy. Bennett and Davies have booked Europe’s soccer brass, including Premier League chair Richard Scudamore, Liverpool CEO Ian Ayre, and the chairs of Roma, Southampton, and Bournemouth, plus Everton Manager Roberto Martinez, members of the US Women's National Team, ESPN’s Bob Ley and some of the Men in Blazers' unlikely friends, including Moneyball baseball general manager Billy Beane. The plan, according to Bennett and Davies, is to bring a series of deep, nerdy, obsessive soccer discussions to American fans. Not mentioned and perhaps just as important, however, will be to parade this rabid fan base in front of Europe’s most influential sports executives. Bennett and Davies have built an adoring legion. Now it’s time to show them off.

Michael Davies and Roger Bennett photographed in New York on Sept. 21, 2015.

Jared Harrell / BuzzFeed News

To pacify the angry GFOPs, the Men in Blazers decide to stop at a third cheesesteak palace, Jim’s Steaks. Once the quick photo op is over, Davies parks the Mini while Bennett strikes up a conversation with an older, salt-of-the-earth woman working at the counter at Geno's. Though traditional cheesesteak protocol is to tersely bark an order and move down the line Soup Nazi–style, Bennett saunters up ready to chat. He asks her age and how long she’s worked at the stand. Within seconds, he’s won her over with his accent, sincerity, and deeply inoffensive aura. As if part of some divine script, she hands Rog a Geno's souvenir trinket pen that bears the phrase “Proud to Be an American,” and Bennett is ecstatic. He neglects his now-sweating steak on the counter to inspect the pen and reaches out to clutch my arm. “Fucking amazing! Was this my citizenship test? Did I pass?” he shouts.

Bennett’s whirlwind persona is offset by a darker intellect and a quiet but formidable ambition. He is deeply literary — on the podcast he frequently mentions and quotes World War I poetry, a somber favorite of his. A recent visit to Spain has him fixated on the country’s culture and history, and during our car ride he routinely finds ways to reroute the conversation into digressions about Franco and antifascism. When we talk of the business of Men in Blazers, Bennett’s goofy demeanor evaporates and his focus is intense. It’s the same energy and air that he projects as a recurring guest on Charlie Rose or CBS This Morning, or in print in the New York Times, where Bennett is often quoted as a footballing authority.

Roger Bennett

Jared Harrell / BuzzFeed News

“Rog is really the heart and soul of this thing,” Davies tells me later in the day during a moment alone. “Men in Blazers is really fueled so much by him and his tireless ability to never lose momentum. He’ll go home tonight and stay up late even though he has a 4:30 a.m. flight to England and read every fan tweet and every comment and send dozens of emails to complete strangers. He’d hate me saying this, but oftentimes I feel like I’m really just kind of producing Rog while he does his thing and playing off him and keeping him on the line.”

Producing, of course, is what Davies does best. By his own right, Davies is a prolific producer and TV executive, responsible for bringing Who Wants to Be a Millionaire to the U.S. as well as jumpstarting Jimmy Kimmel’s late-night career. As part of his day job as the founder and head of Embassy Row studios, Davies oversees dozens of high-profile projects, including Comedians in Cars Getting Coffee and Watch What Happens Live, of which he’s the executive producer. His control room experience bleeds into the Men in Blazers show, where Davies controls the cameras on set from a switch positioned out of frame on his thigh.

Davies is charming, with the rare ability to schmooze and still seem earnest. Being from London, he’s the bon vivant of the two. In our 12 hours together, he makes multiple mentions of his vacation home in the Hamptons as well as his fondness for his annual golf trip where his friends play famous British Open courses, all somehow without sounding obnoxious. On the ride, he’s constantly interrupting Bennett’s BlazerCon recruitment calls with wisecracks. Men in Blazers is just one of dozens of media properties under his stewardship, and yet, despite a seemingly unending list of obligations, he’s the consummate good sport.

Bennett rarely leaves the house without a tie, yet he still projects a more down-to-earth vibe. On the phone, in email, and in person he’s a tsunami of cordiality, saying things like “I’m better for having spoken to you, you beautiful man” with the enthusiasm of a Midwestern door-to-door frozen steak salesman. Here’s just a few ways he’s signed off in our email correspondence: “you are a remarkable bloke.” “you are a magic man.” “ you beauty.” “#America.” It’s unexpected, infectious, and genuine; it’s also perfectly easy for Davies to join in and play off of. You see this when the two encounter fans in the wild.

At Pat’s Steaks, a nervous GFOP approaches the two men mid-bite, and both Blazers jump up eagerly for a five-minute conversation. Bennett and Davies immediately begin peppering the fan with increasingly personal questions: Who’s your team, what do you do in the world, and, Bennett’s favorite, how is your family doing?

Turns out the fan helps run a small craft brewery in the area, so he brings them a few beers, which they accept, asking for a business card. “Any way we can help you, my good man, you let us know,” Bennett says putting an arm around the fan before snapping a selfie.

“The first thing we always ask when we meet a GFOP is 'who's your team' to find out why they support them,” Bennett tells me later in the car. “What amazes us about America is that the reason they start supporting a given team is deeply arbitrary. But when they commit and fall for them, they do it incredibly fast and deeply,” he says.

The fan culture around Men in Blazers is unique in the world of sports punditry. Every day the pair’s Twitter and Tumblr accounts are swarmed with outrageous photoshopped fan art, like one of U.S. Men’s National Team captain Clint Dempsey riding a red-white-and-blue rocket pop with the head of a shark in space while rainbows shoot out of his mouth. The two routinely receive full parody song fan submissions based off of obscure soccer personalities and inside jokes from their podcast. Grown men tweet at them incessantly, adding #GFOP to their Twitter bios. Spouses request their involvement in marriage proposals. A small and dedicated group of fans runs a wiki dedicated to the duo’s peculiar vernacular and inside jokes. (Warpig is “the nickname of former Belgium footballer, Marc Wilmots and the proposed mascot for the Men In Blazers National Team"; a Shass is “a shot on goal that turns into a pass.”)

“Nobody likes the Men in Blazers. You either don't know about them or you love them," says John Green.


Thứ Bảy, 3 tháng 10, 2015

Which Footballer Should You Marry Based On Your Favorite Action Star?

You belong with him!


Former Chelsea Doctor Breaks Her Silence Over Mourinho Verbal Abuse Allegations

Eva Carneiro said the FA had “chosen to ignore” evidence in her sexism case.

Former Chelsea club doctor Eva Carneiro has spoken out for the first time about her row with team manager Jose Mourinho over allegations he verbally abused her.

Former Chelsea club doctor Eva Carneiro has spoken out for the first time about her row with team manager Jose Mourinho over allegations he verbally abused her.

PA

Carneiro, who left the club following the incident on the opening day of the season in August, confirmed that the Football Association had not interviewed her when investigating Mourinho's alleged remarks.

The lack of support from the football authorities made life difficult for women in the game, she said.

The Chelsea boss was accused by a member of the public of calling the doctor "filha da puta" (daughter of a whore) during the team's 2-2 draw with Swansea City on 8 August. Evidence to support the claim was provided by the organisation Women in Football.

But the FA cleared Mourinho after consulting a Portuguese linguistics expert and deciding that the language he used was not discriminatory under its rules. Greg Dyke, the FA chairman, said Mourinho should have apologised to Carneiro.

The ruling was sharply criticised by another FA board member, Heather Rabbatts, who said she had major concerns over the governing body's handling of the case.

On Friday Carneiro, who was dropped from first team duties after the incident and has since quit the club, broke her silence, saying her evidence had been ignored.

On Friday Carneiro, who was dropped from first team duties after the incident and has since quit the club, broke her silence, saying her evidence had been ignored.

PA

In a statement to Press Association Sport, she said:

I was surprised to learn that the FA was allegedly investigating the incident of 8th of August via the press. I was at no stage requested by the FA to make a statement. I wonder whether this might be the only formal investigation in this country where the evidence of the individuals involved in the incident was not considered relevant. Choosing to ignore some of the evidence will surely influence the outcome of the findings.


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